- Performance Calendar
- Faculty Artist Series
Susanne Mentzer, Voice
Frauenliebe und Leben, Op. 42
Sifting through the Ruins
Mädchenblumen, Op. 22
from Clairières dans le ciel
Vous m’avez regardé
Si tout ceci n’est q’un pauvre rêve
Nous nous aimerons tant
Trois Chansons de 1916
La statue de bronze
Carrie Jacobs Bond
Half Minute Songs
Susanne Mentzer, mezzo-soprano
Jay Liu, viola
Elizabeth Schumann, piano
American mezzo-soprano Susanne Mentzer has established herself not only as an international singer but also as a writer, teacher and arts advocate.
She enjoys a significant opera, concert, chamber music and recital career of over thirty years appearing on four continents with nearly every great opera house and orchestra. She has been a guest artist at the Metropolitan Opera in leading roles since 1989, most recently as Marcellina in the new production of Le Nozze di Figaro in the fall of 2014. She returned to the Met in February and March of 2016.
Susanne recently added some new roles to her repertoire; as Mrs. Patrick DeRocher in Jake Heggie’s Dead Man Walking, the Beggar Woman in Sweeney Todd with Opera Theatre St. Louis and Nellie in Carlisle Floyd’s Wuthering Heights which has also been recorded for commercial release.
Operatically, she specializes in music Mozart, Berlioz, Rossini and Richard Strauss and is widely admired as a specialist in trouser roles, most notably for her portrayals of Cherubino in Le Nozze di Figaro, Idamante in Idomeneo, der Komponist in Ariadne auf Naxos, and Octavian in Der Rosenkavalier. She has also appeared in many notable female roles – Dorabella, Despina, Rosina, Adalgisa, and Jane Seymour.
Her extensive discography includes over 25 CDs of opera and oratorio and songs. Her most recent project is a recording of songs by American opera composer Carlisle Floyd to be released on GPR Records through Naxos. This project was funded by her successful Kickstarter campaign. She has recorded two other recitals she also performs in concert: The Eternal Feminine, a recital of music by women composers (Koch International Classics) which includes the premiere of Libby Larsen’s Love After 1950 with her long-time pianist, Craig Rutenberg; and her personal favorite, Wayfaring Stranger – a collection of international folksongs arranged for voice and guitar with Grammy Award-winning Sharon Isbin. She also received a Grammy nomination for her work as Colombina in Busoni’s Arlecchino. She is on the recent releases of Jake Heggie’s Dead Man Walking and Plump Jack by Gordon Getty. Susanne appears on DVDs of Les Contes d’Hoffmann (Opéra de Paris), Don Giovanni (La Scala), and Grammy nominated The First Emperor by Tan Dun (Metropolitan Opera), and Ariadne auf Naxos (Metropolitan Opera). She has appeared numerous times on PBS as part of the Live from Lincoln Center and Live from the Met programs and the Met Cinema broadcast.
As a recitalist Susanne has appeared in recital on the Great Performers series at Alice Tully Hall, Carnegie’s Weill and Zankel halls, NY Festival of Song, Tisch Center for the Arts, Morgan Library, Town Hall, Tannery Pond, Schubert Club St. Paul, Kennedy Center, Vocal Arts Society- DC, Spivey Hall Atlanta, Schwartz Hall at Emory, Santa Fe Concert Association, Aspen Music Festival, Aspen Winter Music, Wyatt Artist in Residence Series-Calgary, Ravinia Festival, Ann Arbor University Music Society, Oberlin College, and others.
A proponent of women composers and new works, her interest in contemporary music has led her to premiere two song cycles by Libby Larsen: Love after 1950 and Sifting through the Ruins. She premiered Living the Divine – a cantata for children’s choir, percussion and voice, and The Journey – 5 songs for strings and voice both by Daniel Brewbaker, Carlisle Floyd’s Citizen of Paradise-a mono-drama based on poems and letters of Emily Dickinson, and Stephen Bachicha’s New Mexico Fragments, a work she commissioned in 2010. She also performed Bernard Rand’s Now and Again with 8th blackbird and sang the American premiere of Stabat Mater by Italian composer Matteo d’Amico.
As a chamber musician she has collaborated with the Orion, American and Brentano String quartets, and appeared with Chamber Music Lincoln Center, Music in the Vineyards, Music from Angel Fire, Santa Fe Chamber Music Festival, DaCamera Houston, and Sun Valley Summer Symphony, Chicago Symphony Chamber Musicians, Chicago Chamber Musicians, University of Chicago Chamber Music, Rembrandt Chamber Musicians, and Music@Menlo and the NY Philharmonic Chamber Musicians. Additionally she collaborated with faculty at Rice University and at the Aspen Music Festival.
Susanne is also a writer and contributes regularly to the Huffington Post. Her outspokenness about vocal health has earned her the VERA Award 2013 (Voice Education Research Awareness) from The Voice Foundation. Past awardees include Julie Andrews and Diane Rehm.
Ms. Mentzer is a mentor to young singers and as she continues to actively perform she feels a kinship with her students. She recently relocated to the San Francisco area where she maintains a private voice studio, and began teaching at the San Francisco Conservatory in August 2016. Previously she spent twelve years in academia as a Professor at the Shepherd School of Music at Rice University and DePaul University in Chicago. She also served as faculty at the Aspen Music Festival and School and has been a guest teacher at the San Francisco Opera Merola program, the Castleton Festival and frequently gives master classes in conjunction with her engagements. She is also on the faculty of Songfest at Coburn in Los Angeles each June.
She regularly adjudicates competitions and serves on the Board of Directors of The Sullivan Foundation and The George London Foundation which each give awards to promising young singers.
Susanne was born in Philadelphia and raised in Maryland and Santa Fe, NM where she fell in love with opera. She received her Bachelor and Master degrees from The Juilliard School and was trained in the Houston Opera Studio, studying with Rose Bampton and Norma Newton, respectively. She received the Alexian Brothers USA Thelan Award for her help raising over one-million dollars through gala concerts for the AIDS cause in Chicago and continues to participate in charitable events.
Jay Liu, Associate Principal Viola of San Francisco Symphony since 1993. He has served as guest Principal Viola with LA Philharmonic and Principal Viola of Asia Philharmonic.
Jay was born in Shanghai, China, he began playing violin at age of 5. He graduated from Shanghai Conservatory of Music. In 1986, he came to US to study at University of Southern California. In 2012, as a Fulbright Specialist, Jay Liu has completed his residency at the Beijing Central Conservatory of Music, Sponsored by US State department and William Fulbright Foundation.
He joined SFCM viola faculty in 2015.
Elizabeth Schumann has a diverse career portfolio of performances, projects, and recordings. The Washington Post noted her playing as “deft, relentless, and devastatingly good—the sort of performance you experience not so much with your ears as your solar plexus.”
Elizabeth has performed in the Kennedy Center, Ravinia’s “Rising Stars” Series, Vienna’s Bösendorfer Saal, Australia’s Huntington Festival, Toronto’s Koerner Hall, and on National Public Radio’s “Performance Today”. The first place winner of the Bösendorfer International Piano Competition and Pacific International Piano Competition, she was awarded over 25 prizes in other major competitions, including the Cleveland, Hilton Head, Montreal, and World International Piano Competitions. Elizabeth was honored with the prestigious Gilmore Young Artists Award and was a highlighted artist in the PBS television documentary on the Gilmore International Keyboard Festival. Passionate about sharing the profound experience of classical music with all audiences, Elizabeth devised and directed Piano Carnival, a project to introduce a free, high quality musical experience to children without access to arts education. The Piano Carnival Interactive Ebook is available for free on iTunes. Elizabeth is on faculty at Itzhak Perlman’s Perlman Music Program and spends her summers working with talented young musicians.