Committed to pushing the boundaries of harp performance, Jennifer R. Ellis (D.M.A. University of Michigan, M.M. Cleveland Institute of Music, B.M. Oberlin) has performed over ninety premieres. She embraces firsts; she was the first harpist to be a U.S. State Department One Beat Fellow and the first harpist to attend Bang on a Can, Fresh Inc., and Splice summer festivals. From kinesthetic music education to ergonomics to teaching for diverse learning needs, Dr. Ellis is dedicated to innovative music pedagogy. In addition to a rich classical tradition, she welcomes the opportunity to teach electroacoustic harp performance and improvisation. She enjoys helping harp students design and meet their own creative goals. She currently teaches for Mills College, Harps Etc. and the San Francisco Conservatory of Music. email@example.com
"I teach the Salzedo Method of playing the harp."
Principal harpist, San Francisco Symphony; solo appearances with the San Francisco Symphony; studied with Alice Chalifoux and Elisa Smith Dickon; attended the Interlochen Arts Academy and Cleveland Institute of Music, and studied at the Berkshire Music; formerly principal harpist, Indianapolis Symphony; collegiate faculty, San Francisco Conservatory of Music. firstname.lastname@example.org
Born in Tokyo, violinist Kineko Okumura was awarded a Fulbright Scholarship to study in the United States. She is a graduate of the Juilliard School, where she studied with Oscar Shumsky. Ms. Okumura received the Ysaye Award in Japan, won second place in the Paganini International Competition, and was selected to perform at the Akademia Chigiana in Italy. Kineko has held the position of Associate Concertmaster for the Sacramento Symphony, the Sacramento Chamber Orchestra, and the Monterey Symphony. She has also served as Concertmaster for the Solano Symphony and the Bear Valley Festival Orchestra, as well as performed with the San Francisco Chamber Orchestra and Pro Art Symphony. Kineko Okumura teaches privately and is on the faculty of the San Francisco Conservatory. Her students have won Concerto Competitions, performing with orchestras in Northern California. email@example.com
William Barbini is a graduate of the Julliard School, and former member of the New York Philharmonic first violin section, where he appeared twice as soloist. As Concertmaster of the Sacramento Symphony, he appeared 13 times, performing nearly all of the major violin concertos. Mr. Barbini is also an active chamber music player and is Music Director of the Chamber Music Society of Sacramento. A dedicated teacher, he is on the faculty of CSU, Sacramento, and the San Francisco Conservatory of Music. His students have won first place in many competitions, including Pacific Musical, Escondido, Washington, and others. They have graduated from Colburn, USC, UCLA, Juilliard, Manhattan, New England, Indiana University, Cleveland and Eastman. firstname.lastname@example.org
Violinist Eric Chin, a founding member of the recently acclaimed Telegraph Quartet, is equally passionate about performing and teaching. Captivated by chamber music, he founded the award- winning Nexus String Quartet in 2007 at the San Francisco Conservatory of Music. After the final season of the Nexus String Quartet, Mr. Chin received invitation to join the Hausmann Quartet and the chamber music and string faculty at San Diego State University, and held that position until 2014. He then decided to move back to the San Francisco Bay Area, where he later co- founded the Telegraph Quartet.
Mr. Chin’s concert tours as a soloist, chamber musician, and concertmaster have taken him performing throughout Europe as well as in Asia, Canada, and the United States. He has appeared on faculty at festivals such as the Capistrano International Chamber Music Festival, LyricaFest, and Chamber Music Connection Ohio, and was invited abroad to give concerts and masterclasses at the top art universities in Taiwan, including the National Taiwan University of Arts, Tunghai University, National Pingtung University of Education, Wenzao Ursuline College, and Taiwan Normal University. Mr. Chin has also appeared as performing artist at the Great Lakes Music Festival and at Music Mountain.
As a chamber musician, Mr. Chin has performed with some of the most sought after musicians of our time, including members of the Juilliard, Concord, Meliora, Miami, Takács, and Alexander string quartets. email@example.com
The eminent French cellist Jean-Michel Fonteneau has performed and taught around the world. As a soloist and chamber musician, he has appeared throughout Europe, Asia, Africa, and North and South America. He has served as a professor of cello and chamber music at the San Francisco Conservatory for the past two decades, in addition to performing and teaching annually at Yellow Barn. Jean-Michel is a founding member of the Quatuor Ravel which received top prizes at the Evian International String Quartet Competition in 1989 and won the Victoire de la Musique Classique in 1994. Jean-Michel is currently a member of the San Francisco Piano Trio together with violinist Axel Strauss and pianist Jeffrey Sykes.
A passionate and dedicated teacher, Jean-Michel previously served on the faculty of the Conservatoire National Supérieur de Musique in Lyon, France before coming to San Francisco. His students have won international competitions — including the Bordeaux International String Quartet Competition — and gone on to major solo, chamber, and orchestral careers. His students have appeared at Carnegie Hall, The Kennedy Center, the Concertgebouw, the Wigmore Hall, the Verbier Festival, and on many more of the world’s premier stages.
Jean-Michel studied at the Ecole Normale Supérieure de Musique de Paris and plays cellos made by Francesco Goffriller in 1730 and Andrew Carruthers in 2016. firstname.lastname@example.org
M.Ed., Columbia University Teachers College; B.M., Manhattan School of Music. Teachers include Raphael Bronstein, Ariana Bronne, Anne Crowden, Colin Hampton and Lillian Fuchs. Performances with San Francisco Symphony, San Francisco Opera, Midsummer Mozart, San Francisco Chamber Orchestra and Skywalker Symphony; guest conductor, Palo Alto Chamber Orchestra, Cazadero Performing Arts Camp; faculty, California Chamber Music Institute, Crowden Center for Music in the Community; Executive Director, Crowden Music Center. email@example.com
M.M., San Francisco Conservatory of Music; student with Ian Swensen, Hochschule fuer Musik ‘Franz Liszt' Weimar, Germany (Degrees in Violin Performance and Violin Pedagogy), and Conservatoire National Supérieur de Musique de Lyon, France; member of ‘The Eusebius Duo'; appearances at Carnegie's Weill Recital Hall, Festival del Sole, Napa. 1st Prize Winner Intl. Chamber Music Ensemble Competition, Boston; Master classes with Norbert Brainin, Menahem Pressler, Martha Katz. firstname.lastname@example.org
Amy Beth Horman
“Intelligence and emotional generosity... unerring sense of line and gift for highlighting important themes... She brought passionate intensity to a program of disparate works, from Franck’s familiar Sonata in A and a Bach partita that sounded characteristically like the ruminative thoughts of the composer in measured reflection, to a sonata by Corigliano... Her vigorous reading of a soaring solo passage in the Corigliano... had members of the audience quietly craning their necks forward as if in hope of bathing a little deeper in her exceptionally warm tone.” - Washington Post
A passionate teacher and performer, Amy Beth Horman has enjoyed an active solo career as soloist and recitalist throughout the US and Europe. She made her debut with the National Symphony at age 15 performing the Tchaikovsky Concerto. Ms. Horman welcomes students of all ages, including those as young as elementary school age. Students of Ms. Horman have been selected for the Junior Division of the Menuhin Competition, the Boris Goldstein Competition, featured on From the Top and recipients of the Young Arts Foundation. Ms. Horman is also the creator and host of “Beyond the Triangle," a podcast focused on the art of raising young classical musicians. A graduate of the Paris Conservatory of Music (CNSMDP), Ms. Horman received her first prize at age 15 and then was chosen that same year for Conservatory's 3rd Cycle program in the studio of violinist Gerard Poulet. Previous teachers include Jody Gatwood (National Philharmonic Orchestra Concertmaster Emeritus) and Patricia Hurd (Wolf Trap Opera Orchestra, Washington Ballet Orchestra).
“My focus in teaching is to embrace the whole child while helping them reach their artistic potential through a healthy technical foundation and strategic regimen of training and support.” email@example.com
"I believe the student always comes first; I wish to foster a love of music grounded in expressive playing and technical proficiency."
B.M., New England Conservatory of Music; studied with Zaven Melikian and Dorothy DeLay; alumnus, Conservatory's Preparatory Division. firstname.lastname@example.org
An alumna of San Francisco Conservatory of Music Pre-College Division, violinist Lisa Lee maintains an international career as a performer and educator. She has garnered top prizes in the Tadeusz Wronski International Solo Violin, Irving M. Klein International String, and the G. Zinetti Chamber Music International competitions, as well as first prizes from the International Sheffield Violin, Seventeen Magazine/General Motors National Concerto, and San Francisco Symphony Concerto competitions. With her two sisters, Lisa Lee is a founding member of The Lee Trio, an award-winning ensemble that regularly performs throughout the United States and abroad. She received her bachelor's degree from the Curtis Institute of Music as a student of Arnold Steinhardt and Felix Galimir and an Artist's Diploma from the Guildhall School of Music and Drama in London, where she studied with David Takeno as a Fulbright scholar. While attending SFCM Pre-College, Lisa Lee studied with Zaven Melikian. Her later studies with Gabor Takacs, Donald Weilerstein, and Denes Zsigmondy greatly influenced her approach to music-making. Her chamber music partners have included Gary Graffman, Nobuko Imai, David Soyer, Yo-Yo Ma, Donald Weilerstein, and Arnold Steinhardt. Lisa Lee can be heard in recordings on the BIS, Delos, and Koch labels. email@example.com
Aenea Mizushima Keyes
"My teaching method combines my extensive training with my international performance experience. ENSEMBLES: Inspiring students to learn advanced rehearsal techniques, create unified ensemble interpretations, and present artistic chamber music performances. VIOLIN: Through studying technical pieces and performance works, students learn to practice efficiently, perform confidently, and understand the interconnection between musical expression and technical mastery."
M.M., National Academy of Music, Bulgaria; B.A., Sarah Lawrence College; Prussia Cove International Musicians Seminar, UK; violin: Dorothy DeLay, Guinka Guichkova and Daniel Phillips; composition/improvisation: Meyer Kupferman. Toured Russia, Japan, Europe and USA as soloist, chamber musician, violinist-composer. Premieres: Carnegie Hall and Lincoln Center, including Carman Moore's Mass for the 21st Century. Collaborations: museums, dance, theater, film. Chamber Music: trio - MusicAEterna member and founder, annual premeires; quartet-octet with Alexander String Quartet, while member of Del Sol String Quartet. ChamberImprov: MusicAEterna; ChamberJazz: D. Matheny, trumpet. Chamber/Symphonic Orchestra: Philharmonia Virtuosi, Nova Philharmonia Portuguesa, Aspen Music Festival. Recordings include: MusicAEterna CD -- At the Museum; San Francisco Museum of Modern Art Artcast - Picasso Suite; Documentary Film - Senorita Extraviada, Jury Prize, Sundance Film Festival. firstname.lastname@example.org
"My teaching style is a fusion of the styles of each of my teachers over the years - from Itzhak Perlman and Kathleen Winkler to Ian Swensen. I try to give each of my students a firm technical foundation with a strong focus on scales and some etudes. While solid, relaxed technique is a crucial part of my focus, I mainly see it as a tool for better musical expression and my real interest is in exploring the music with my students and bringing it to life, no matter what their age."
B.M. The Juilliard School; M.M. Rice University; AC Chamber Music San Francisco Conservatory of Music. Violinist Joseph Maile has been passionate about teaching and chamber music from very early on in his musical studies and he has performed in various ensembles throughout the United States. Mr. Maile has taught at the Michael P. Hammond Preparatory Program at Rice University’s Shepherd School of Music and is currently on the violin and chamber music faculty at the San Francisco Conservatory of Music teaching both Pre-College and Collegiate students. Mr. Maile is a founding member of the San Francisco-based Telegraph Quartet, the Quartet-in-Residence at the San Francisco Conservatory of Music and winner of the prestigious Fischoff Chamber Music Competition and the Naumburg Award. email@example.com
Violinist Natasha Makhijani is in demand throughout the Bay Area as a performer and a teacher. She is a founding member of the Chamber Music Society of San Francisco, the Associate Concertmaster of the Oakland Symphony, a member of the Santa Rosa Symphony, the San Francisco Chamber Orchestra, and the Magik Magik Orchestra, and performs regularly with the San Francisco Opera and San Francisco Ballet orchestras.
Equally dedicated to teaching as she is to performing, Natasha has held teaching positions at the Eastman School of Music, the San Domenico School Conservatory, and The Crowden Music Center, is on the faculty of the San Francisco Conservatory of Music’s Pre-College Division, is a member of the chamber music and conducting staff of the Palo Alto Chamber Orchestra, and maintains a private teaching studio. firstname.lastname@example.org
"My aim is to inspire each student to fulfill their artistic potential. I work with students on playing with a beautiful sound, developing a proficient and healthy technique, learning effective practice skills, performing confidently, and playing with musical understanding and expression. I work with all ages and levels of students including the very young."
Alisa Rose, www.arosefiddle.com, is equally dedicated to performing and teaching. Rose is sought out as a versatile and expressive violinist and composer. Rose is currently a member of the classical RossoRose Duo, bluegrass infused chamber music duo Scroggins & Rose, and contemporary silent film ensemble Club Foot Orchestra. As a composer she blends American folk techniques with classical concert forms. This style can be heard on her album of cross-genre virtuoso works for solo violin entitled Fiddle Caprices and Pizzicato Pieces. Alisa teaches privately as well as at the San Francisco Conservatory of Music, where she received her B.M. and M.M. in Chamber Music Performance studying with Camilla Wicks and Bettina Mussumeli. email@example.com
“The main goal of my teaching is to help students express themselves through their music. I tailor my teaching to each individual student, according to their personality, physiology and current needs. While giving students structure and discipline to play with a healthy posture, sound and intonation, it is also important to keep that same sense of wonder and discovery as when first hearing a new piece of music.”
Violist Hyelim Shin has a wide range of performance experience as a soloist, chamber and orchestra musician with the Harvard Baroque Chamber Orchestra, Camerata Antiqua Seoul, at the Summit Music Festival, Bowdoin International Music Festival and National Orchestra Institute. She has performed in prestigious venues such as Carnegie Hall, Jordan Hall in Boston, Seoul Arts Center and Sejeong Center.
B.M., Korea National University of Arts; M.M., G.D., New England Conservatory; primary teachers: SoonHwa Oh, Tsuna Sakamoto, Daniel Panner and Dimitri Murrath. firstname.lastname@example.org
A native of New York, violinist Ian Swensen came from a musically gifted family of Norwegian and Japanese-Hawaiian descent. He studied at The Juilliard School with Dorothy DeLay and the Eastman School of Music with Donald Weilerstein. He has lived in the Bay Area for nearly 20 years, teaching at the San Francisco Conservatory of Music and Sacramento State University. He is a passionate pedagogue, and his students have gone on to major positions in orchestras and teaching institutions around the world. Swensen also maintains an active schedule as soloist and chamber musician, appearing at Music@Menlo, with the Chamber Music Society of Lincoln Center, the Smithsonian Chamber Music Society and other venues. He has performed with members of the Juilliard, Cleveland, Emerson, Takács, Concord and Tokyo quartets, as well as Menahem Pressler, Gilbert Kalish, Mark O'Connor and Yo-Yo Ma. He is one of the few musicians to have been awarded the Walter W. Naumberg International Competition's top prize for both chamber music and violin. His recordings can be found on the Telarc and Deutsche Grammophon labels. email@example.com
“I believe that violin study at the highest level requires the simultaneous pursuit of two paths: the achievement of technical mastery over the instrument in addition to the development of artistic expression. As a teacher, I also place great emphasis on relaxation and ergonomics, and I directly address the challenges of performing under pressure.”
Virtuoso violinist Elbert Tsai leads a multifaceted career as a soloist, chamber musician, and sought-after pedagogue. He currently serves on the violin faculty of the San Francisco Conservatory Pre-College as well as Center Stage Strings at the University of Michigan School of Music. His students have soloed with orchestras throughout the Bay Area and participated in international programs such as the Morningside Music Bridge and Menuhin Competition (Junior Division). He maintains an active performing schedule, his recitals having been featured recently at the San Francisco Conservatory of Music, Pomona College, Le Petit Trianon Theatre, and Colburn School for the Performing Arts. Early in his professional career, Elbert won positions with the San Francisco Ballet and San Francisco Symphony orchestras, touring with the symphony throughout the United States, Europe, and Asia. He holds degrees from the University of Southern California, Rice University, and Oberlin College. For more information, please visit www.elberttsai.com. firstname.lastname@example.org
“My teaching is influenced by my musical training in Russia and performance career across Europe and the United States. I blend styles and teaching concepts in a way that helps students achieve their highest potential and develop a lifelong love for music.”
Russian-born violinist Alena Tsoi-Barantschik began her musical studies at the Central Music School in Moscow and later graduated from the Moscow Conservatory of Music, studying with Zinaida Gilels, Valery Klimov, and members of the Borodin Quartet. In addition to maintaining an active solo and chamber music career, Alena served as first violinist of the Orquesta Principal de Asturias in Spain, Netherlands Ballet Orchestra, and Radio Philharmonic Orchestra. Now residing with her family in San Mateo, she regularly performs as a soloist with the Russian Chamber Orchestra and plays chamber music with her husband, Alexander Barantschik. Ms. Tsoi-Barantschik has recorded and toured with the San Francisco Symphony. She currently teaches in numerous Bay Area music schools and maintains a private violin studio. email@example.com
Accepts students of all ages, focus on building up a good foundation. Postgraduate Diploma, San Francisco Conservatory of Music; B.M., Shanghai Conservatory of Music; studied with Camilla Wicks, Mark Sokol, Shisheng Zheng and Weimin Hu; chamber music collaborations with Isaac Stern, Anne Akiko Meyers; master classes with Itzhak Perlman, Tokyo Quartet; solo appearances with Shanghai Symphony Orchestra, Shanghai Philharmonic Orchestra, Shanghai Opera, San Francisco Conservatory Orchestra; performances with San Francisco Symphony; former associate concertmaster, Oakland East Bay Symphony; former collegiate faculty, Shanghai Conservatory of Music. firstname.lastname@example.org
"The main focus of my teaching is to develop positive learning mind set and constructive practice methods with students. I wish my students to be their own teachers at home. Other aspects of my teaching include building a solid foundation for technique, opening the students' ears and encouraging creative thinking in music."
Founding violist of the Fischoff award-winning Telegraph Quartet, Ms. Lin is an active performer and teacher. She holds a B.M. degree from The Juilliard School, M.M. from Rice University, and Artist Certificate from San Francisco Conservatory of Music. Miss Lin has given masterclasses throughout the U.S., and performs both nationally and internationally including major festivals such as Marlboro Music Festival, Tanglewood Music Center and Yellow Barn Music Festival, where she taught for two years in the Young Artist Program. Recent chamber music collaborations include Paul Katz, Joseph Lin, Roberto Diaz and Robert Mann. email@example.com
Born in Brussels, Belgium, American violist Dimitri Murrath has made his mark as a soloist on the international scene, performing regularly in venues such as Jordan Hall (Boston), the Kennedy Center (Washington), Wigmore Hall, the Purcell Room, Royal Festival Hall (London), Kioi Hall (Tokyo), the National Auditorium (Madrid), and Théâtre de la Ville (Paris). A recipient of a 2014 Avery Fisher Career Grant, Murrath is a first prize winner at the Primrose International Viola Competition. Other awards include second prize at the First Tokyo International Viola Competition, the special prize for the contemporary work at the ARD Munich Competition, and a fellowship from the Belgian American Educational Foundation. In 2012, he was named laureate of the Juventus Festival, an award recognizing young European soloists. An avid chamber musician, Murrath is a member of the Boston Chamber Music Society and Mistral Music.
Murrath began his musical education at the Yehudi Menuhin School studying with Natalia Boyarsky, later going on to work in London with David Takeno at the Guildhall School of Music and Drama. He graduated with an Artist Diploma from the New England Conservatory as a student of Kim Kashkashian. He is currently on the viola faculties of San Francisco Conservatory of Music and Bowdoin International Music Festival. A.D., New England Conservatory. BMus, MMus, Guildhall School of Music and Drama. firstname.lastname@example.org
“My aim in every lesson is to teach students technical, organizational, and aural skills - tools they need to play expressively. To communicate a composer’s intention, we find expression between the notes.”
B.A. in Music, U.C. Berkeley, M.A. in Performance at Northwest German Music Conservatory Detmold. Studied with Detlev Olshausen and Bruno Giuanna. Madeline has been teaching for well over 40 years, first as teaching assistant to Bruno Giuranna. Adjunct faculty positions at Music Conservatories Stuttgart and Trossingen (1987-1992). Professor of Viola at Music Conservatory Karlsruhe (1991-2000), University of the Pacific (2002-2006). SFCM Collegiate and Pre-College division since 2009. Principal violist in Wuerttemberg Chamber Orchestra (1980-1983) and Stuttgart Philharmonic (1983-1991), where she performed many standard and commissioned concerti with orchestra, as well as recitals and chamber music concerts in the USA and abroad.
B.M., Korea National University of Arts; M.M., G.D., New England Conservatory; primary teachers include Tsuna Sakamoto, Daniel Panner, and Dimitri Murrath.
A native of South Korea, violist Hyelim Shin has a wide range of teaching and performance experience. While in Boston, Shin maintained a private violin and viola studio, preparing students to place in top youth orchestras and to win area competitions. She has performed at the Bowdoin International Music Festival in Maine and currently serves on the faculty of the ENCORE Chamber Music Festival in Cleveland, Ohio. email@example.com
Founding member, Ravel String Quartet, winner of two prizes in the Evian String Quartet Competition in 1989; founding member, Le Nouveau Trio du Val-de-Marne; performances with Orchestre de l'Opéra de Lyon, Orchestre National de Lyon, Orchestre de Chambre Français, Ensemble Orchestral de Paris; collegiate faculty, San Francisco Conservatory of Music; former assistant professor, Conservatoire National Supérieur de Musique in Lyon. firstname.lastname@example.org
String chamber music coordinator
"Using standard repertoire, etudes and technical studies, I focus on practice methods and strategies in order to help the student reach musical and technical independence."
Artist Certificate, San Francisco Conservatory of Music; M.A., University of Minnesota; B.A., University of Wisconsin; studied with Mark Sokol and Clive Greensmith; collaborative performances with Frederica von Stade, Donald and Vivian Weilerstein; member, Fromme Duo with pianist Shu Li; former member, Oberon and Del Sol quartets; performances in Other Minds and Sandpoint Festivals; former faculty, UC - Santa Cruz, Nueva School. Developer - "Cello Playing" - Pedagogy Channel on Youtube. email@example.com
M.M., San Francisco Conservatory of Music; B.M., Northwestern University; studied with Hans Jørgen Jensen; collaborations with Pinchas Zukerman, Carter Brey, Amanda von Goetz and Kyung-Sun Lee; substitute cellist, Chicago Symphony Orchestra; solo appearances at Kennedy Center, Ravinia Festival, Salzburg Festival, Disney Hall, Centre National Des Arts, Taos Performing Arts Center and Tong-yong Festival Hall; recordings for NAXOS and Dora Classics labels. firstname.lastname@example.org
M.M., State University of New York at Stony Brook; B.M., New England Conservatory of Music; studied with Laurence Lesser, Timothy Eddy, and chamber music with members of the Guarneri and Juilliard Quartets and Beaux Arts Trio; master classes with Gregor Piatagorsky, Bernard Greenhouse and Anner Bylsma; performances with The Classical Band, Musica Sacra, Brooklyn Philharmonic and New Jersey Symphony Orchestra, and as soloist at the Festival International de Musica in Deia Spain, Italy and Denmark; former faculty, Florida State University, currently director of string studies at the CSU Sacramento School of Music. email@example.com
As the cellist and co-founder of the Telegraph Quartet, Jeremiah’s ensemble won top prizes in the Fischoff (2014) and Naumburg Chamber Music (2016) Competitions. His chamber music mentors include the Audubon, Juilliard, Cleveland, and Concord string quartets. Jeremiah attained a B.M. at the Cleveland Institute of Music, a M.M. at the Juilliard School in cello performance, and a 2nd B.M. at Shenandoah University in Music Production and Recording Technology. In addition to studying with Richard Aaron at CIM and Joel Krosnick at Juilliard, he was a New World Symphony Fellow for a couple years where he performed a cello concerto with the NWS as a competition winner. Mr. Shaw has toured the U.S., Asia and Europe with various chamber ensembles and performed at such notable festivals as Kneisel Hall, Spoleto Italy, Emilia Romagna, Chautauqua Institute, and Yellow Barn.
Dedicated to teaching students of all age levels to integrate music into their lives and achieve their goals. Principal cellist, San Francisco Ballet Orchestra. Mr. Sung studied at the Cleveland Institute of Music, University of Southern California, and the Juilliard School. His principal teachers have been Stephen Geber, David Geber, Ronald Leonard, Fred Sherry and Lynn Harrell. An avid chamber musician, Mr. Sung has performed at the Taos, Sarasota, Scotia, Kent/Blossom, Aspen, Tanglewood, Mendocino and San Luis Obispo Mozart Festivals. He studied with members of the American, Cleveland, Orion, Takacs, and Guarneri String Quartets and has performed in concert with the California E.A.R. Unit, Duke String Quartet, Joshua Bell, Michael Tree, Ronald Leonard, Alexander Kerr, John Graham, Lawrence Dutton, and Jeffrey Kahane. Mr. Sung has been heard as soloist with the Colburn Chamber Orchestra, Saratoga Symphony, Contra Costa Chamber orchestra and the Aspen Academy of Conducting Orchestra. He has participated in the New York String Seminar, Piatigorsky Seminar and has attended the National Repertory Orchestra, National Orchestra Institute, Pacific Music Festival and Verbier Festivals. He was a member of the Metamorphosen Chamber Orchestra and was Assistant Principal of the Hong Kong Philharmonic. Mr. Sung has served as Acting/Guest Principal of the Sydney Symphony and the National Arts Centre Orchestra and has performed with the Los Angeles Philharmonic and the San Francisco Opera Orchestra. firstname.lastname@example.org
M.M. and B.A., The Juilliard School; alumnus, San Francisco Conservatory of Music Preparatory Division; studied with Irene Sharp, Channing Robbins, Paul Katz and Steven Doane; assistant principal cellist, San Francisco Symphony; former member, Seattle Symphony; appearances with Seattle Chamber Music Society and Olympic Music Festival; former faculty, Peabody Conservatory, University of Iowa, Grinnell College and Interlochen Advanced String Quartet Institute. email@example.com
Stephen Tramontozzi, assistant principal double bass of the San Francisco Symphony, studied with Robert Olson of the Boston Symphony Orchestra and Oscar Zimmerman at the Eastman School of Music. He held the position of principal bass of the Symphony Orchestra of Sao Paolo, Brazil and has also performed with the Chamber Music West Festival, San Luis Obispo Mozart Festival, Grand Teton Music Festival and the Cabrillo Music Festival. Formerly on the faculties of Stanford University and the Universities of California at Berkeley and Santa Cruz, Tramontozzi currently serves on the faculties of the San Francisco Conservatory of Music and Mills College. He has been called upon to present clinics and master classes for the Hammond Ashley Double Bass Symposium, Indiana University, University of Michigan, University of Texas, New England Conservatory, New World Symphony, Pacific Music Festival and the Asian Youth Orchestra. Engagements as a recitalist have taken him to Japan, Washington and throughout California. He received a B.M. from the New England Conservatory of Music, where he studied with Lawrence Wolfe, and an M.M. from the Conservatory. firstname.lastname@example.org