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Tamara Mumford, Voice Master Class

Venue

Barbro Osher Recital Hall
200 Van Ness Ave, San Francisco, CA 94102
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Health & Safety

Full Vaccination Required. 

Departments

Collaborator

Kyle Naig, piano

PROGRAM

Georges Bizet (1838-1875)
"Je dis que rien m'epouvante"
     from Carmen
Laura Fernández, soprano

George Gershwin (1898-1937)
"My man's gone now"
     from Porgy and Bess
Sydnee Johnson, soprano

Charles Gounod (1818-1893)
"Faites-lui mes aveux"
     from Faust
Nina Jones, mezzo-soprano

Richard Strauss (1864-1949)
"Sein wir wieder gut"
     From Ariadne auf Naxos
Gabriela Linares, mezzo-soprano

Artists

Tamara Mumford, mezzo-soprano

About Tamara Mumford

A graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program, mezzo-soprano Tamara Mumford made her debut there as Laura in Luisa Miller, and has since appeared in more than 140 performances with the company, some of which include the Pilgrim in the new production of Kajia Saariaho’s L’Amour de loin, Smeaton in the new production of Anna Bolena, and in productions of Rigoletto, Ariadne auf Naxos,  Il Trittico, Parsifal, Idomeneo, Cavalleria Rusticana, Nixon in China, The Queen of Spades,  the complete Ring Cycle, The Magic Flute, A Midsummer Night’s Dream and Wozzeck.   Other recent opera engagements have included the world premiere of The Thirteenth Child at the Santa Fe Opera, her role debut as the title role in Tancredi with Teatro Nuovo, the first ever American performances of Rossini’s Aureliano in Palmira at the Caramoor Festival, L’Amour de loin at the Festival d’opéra de Québec, Iolante at the Dallas Opera, the title role in the American premiere of Henze’s Phaedra,  the title role in The Rape of Lucretia, and the world premiere of Daniel Schnyder’s Yardbird at Opera Philadelphia; the title role in Dido and Aeneas at the Glimmerglass Festival,  Ottavia in L’incoronazione di Poppea at the Glyndebourne Opera Festival and the BBC Proms, Orsini in Lucrezia Borgia at the Caramoor Festival , Isabella in L’Italiana in Algeri at the Palm Beach Opera, the title role in The Rape of Lucretia, conducted by Lorin Maazel at the Castleton Festival; the title role in Carmen at the Crested Butte Music Festival, Principessa in Suor Angelica and Ciesca in Gianni Schicchi with the Orchestra Sinfonica Giuseppe Verdi di Milano in Italy; and the title role in La Cenerentola at Utah Festival Opera.
 
Also an active concert performer and recitalist, Ms Mumford appeared with Gustavo Dudamel and the Los Angeles Philharmonic Orchestra in US and European tours of the world premiere of John Adam’s oratorio The Gospel According to the Other Mary and in performances of Mahler Symphony No. 3. She also appeared with the Mo. Dudamel and the LAPO in performances of Mahler’s Das Lied von der Erde in a production by Yuval Sharon and the Chilean theater group Teatrocinema. Other concert engagements have included appearances with the New York Philharmonic, San Francisco Symphony, Dallas Symphony, Utah Symphony, Oregon Symphony, and Milwaukee Symphony orchestras; the Berlin Philharmonic (in Berlin and on tour in Asia), the Netherland Radio Philharmonic, and at the Hollywood Bowl and the Ravinia, Tanglewood, Grand Teton, Vail, Tucson Desert Song, Britt and La Jolla Summer Music festivals.  She made her Carnegie Hall debut in 2005 as part of the Richard Good and Friends concert series in Zankel Hall, and has since appeared there with James Levine and the Met Chamber Orchestra. She has also made multiple appearances in the Musicians from Marlboro’s summer festivals and US tours. In recital she has been presented in New York by the Marilyn Horne Foundation, the Frick Collection, and the Metropolitan Museum of Art, and in Philadelphia by the Philadelphia Chamber Music Society.
 
Ms Mumford has appeared in the Metropolitan Opera’s Met: Live in HD series broadcasts of Anna Bolena, Das Rheingold, Gotterdämmerung, The Magic Flute, Nixon in China, Manon Lescaut, and Il Trittico. Her recordings include Handel’s Messiah with the Mormon Tabernacle Choir (Momon Tabernacle Choir), Beethoven’s Cantata on the Death of Emperor Joseph II with Michael Tilson Thomas and the San Francisco Symphony (Avie), and John Adams’ The Gospel According to the Other Mary with Gustavo Dudamel and the Los Angeles Philharmonic (Deutsche Grammophon). She was and was one of sixteen singers invited to work with Naxos Records and Yale University in a collaborative project to record the complete songs of Charles Ives.
 
A native of Sandy, Utah, Ms. Mumford holds a Bachelors of Music from Utah State University and has received awards from the Opera Index Competition, Palm Beach Opera Competition, Sullivan Foundation, Connecticut Opera Guild Competition, Joyce Dutka Foundation Competition and the MacAllister Awards.

Departments and Faculty Involved with This Event

Voice / Opera Studies

About SFCM’s Voice Department

Find your voice—and your community. A tight-knit group, voice students work closely with all-star faculty who have performed at the Metropolitan Opera, San Francisco Opera, Houston Grand Opera, Paris Opera, Milan’s La Scala, and many others. As a student at SFCM, you'll have the opportunity to regularly attend dress rehearsals at the San Francisco Opera and take advantage of performance opportunities around the Bay Area.

VIEW SFCM'S EVENT HEALTH AND SAFETY POLICY

The health and safety of the SFCM community and its patrons is of the highest priority. To help maintain a safe environment on campus for the SFCM community, and in adhering to San Francisco city guidelines, patrons are required to show proof of full vaccination to attend SFCM events. Please visit https://sfcm.edu/about-us/covid-19-information/event-health-safety to read the SFCM's full Event Health & Safety policy.

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