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Adellyn Geenen, voice - Second Year Master's Recital
Saturday, February 1 2025, 7:30 PM at

Adellyn Geenen, voice - Second Year Master's Recital

Student Recital
Saturday, February 1 2025, 7:30 PM
Sol Joseph Recital Hall

No tickets required for this event.

In pursuit of their degrees at SFCM, each student presents a recital that represents their artistry and craft. Student Recitals feature repertoire curated by students with guidance from their faculty instructor.  

Program

with Margaret Halbig, piano

Maurice Ravel: 5 Mélodies populaires grecques, M.A 4-5, 9-11
     I. Ξύπνησε, ξύπνησε πετροπέρδικα
    II. Κάτω στον Άγιο Σίδερο
     III. Ποιος ασίκης σαν κ' εμένα
    IV. Ων' άντζελος είσαι, μάτια μου
     V. Γιαρούμπι , έχεις γάμπα

arr. Margaret Bonds: Five Creek-Freedman Spirituals
    IV. Lord, I just can’t keep from crying sometime

arr. Rosephanye Powell: THEN, HERE, NOW
    Dying

arr. Lena McLin: Wait ‘til I put on my crown

Fernando Obradors: Canciones Clásicas Españolas, Vol.1
    I. La mi sola, Laureola
    II. Al amor
    III. Corazón porque pasais
    IV. El majo celoso
    V. Con amores, la mi madre
    VI.   Del cabello más sutil
    VII. Chiquitita la novia 

- Intermission -

Vítězslava Kaprálová: Seconds, Op. 18
    Koleda milostna
    Můj milý člověče

Leoš Janáček: Moravian Folk Poetry in Song
    Tíha
    Belegrad

Bela Bartók: 8 Hungarian Folksongs, Sz.64
    I. Fekete főd, fehér az én zsebkendőm
    II. Istenem, Istenem, áraszd meg a vizet
    III. Asszonyok, asszonyok, had’ legyek társatok
    IV. Annyi bánat a szűvemen
    V. Ha kimegyek arr’ a magos tetőre
    VI. Töltik a nagy erdő útját
    VII. Eddig való dolgom a tavaszi szántás
    VIII. Olvad a hó, csárdás kis angyalom

arr. Adellyn Geenen: Appalachian Suite
    I. Silver Dagger
    II. Wondrous Love
    III. Cuckoo
Adellyn Geenen, voice and electronics

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Saturday, February 1 2025, 7:30 PM to Saturday, February 1 2025, 9:00 PM

About SFCM’s Opera and Musical Theatre Program

The SFCM Opera and Musical Theatre program draws exceptionally talented young singers from around the world and provides them with advanced training in vocal style, acting, stage movement, and other essentials of stagecraft. Each year, SFCM produces four fully staged opera and musical theatre productions with full or chamber orchestra. Recent fully staged operas have included L’elisir d’amore, Don Giovanni, Mansfield Park, Postcard from Morocco, The Rake’s Progress, Così fan tutte, The Marriage of Figaro, and former faculty composer Conrad Susa’s Transformations. SFCM has hosted workshops for in-development opera projects such as Mason Bates’s The (R)evolution of Steve Jobs and Jake Heggie’s Great Scott.

In addition to fully staged productions, a number of scenes, programs, and other performances with piano accompaniment are presented each year. Opera students also have an opportunity to receive coaching from San Francisco Opera music staff, and to participate in productions tailored for school-age audiences in collaboration with San Francisco Opera’s Education Department.

SFCM’s Musical Theatre Workshop provides ensemble experience to singer/actors with an emphasis on American musical theatre, examining one or more musical theatre composers and their works through rehearsals and performance. Recent performances include such works as The 25th Annual Putnam County Spelling Bee, She Loves Me, Company, Little Women, Urinetown, and The Musical of Musicals (The Musical!).

Visiting artists have included Ryan Taylor (General Director, Minnesota Opera), Roy Rallo (Stage Director, San Francisco Opera), David Maier (Fight Director, San Francisco Opera), Barbara Scott (Improvisation Technique), Matt Chapman (Laban Technique), and Jose Luis Moscovich (General Director, West Bay Opera).