SFCM Orchestra with guest conductor Mei-Ann Chen:

7:30 PM Barbro Osher Recital Hall

Praised for her dynamic, passionate conducting style, SFCM welcomes Opus 3 Artist and Music Director of the Chicago Sinfonietta, Mei-Ann Chen, as guest conductor. The concert opens with Beethoven’s tribute to the Shakespearean story of a lonely man rebelling against the system. SFCM Piano Concerto Competition winner, Parker Van Ostrand, showcases his virtuosity in Rachmaninoff’s second piano concerto. Chin’s short but explosive work is a tribute to Beethoven and even evokes his Coriolan Overture, and Schumann’s fourth symphony closes the concert with an  intense and radical approach to the romantic form.

SFCM Orchestra with guest conductor Mei-Ann Chen:

7:30 PM Barbro Osher Recital Hall

Praised for her dynamic, passionate conducting style, SFCM welcomes Opus 3 Artist and Music Director of the Chicago Sinfonietta, Mei-Ann Chen, as guest conductor. The concert opens with Beethoven’s tribute to the Shakespearean story of a lonely man rebelling against the system. SFCM Piano Concerto Competition winner, Parker Van Ostrand, showcases his virtuosity in Rachmaninoff’s second piano concerto. Chin’s short but explosive work is a tribute to Beethoven and even evokes his Coriolan Overture, and Schumann’s fourth symphony closes the concert with an  intense and radical approach to the romantic form.

SFCM Orchestra with guest conductor Mei-Ann Chen:

7:30 PM Barbro Osher Recital Hall

Praised for her dynamic, passionate conducting style, SFCM welcomes Opus 3 Artist and Music Director of the Chicago Sinfonietta, Mei-Ann Chen, as guest conductor. The concert opens with Beethoven’s tribute to the Shakespearean story of a lonely man rebelling against the system. SFCM Piano Concerto Competition winner, Parker Van Ostrand, showcases his virtuosity in Rachmaninoff’s second piano concerto. Chin’s short but explosive work is a tribute to Beethoven and even evokes his Coriolan Overture, and Schumann’s fourth symphony closes the concert with an  intense and radical approach to the romantic form.