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Horn Department Recital
Sunday, November 16 2025, 5:00 PM at

Horn Department Recital

Department Recital Brass
Sunday, November 16 2025, 5:00 PM

Departmental Recitals showcase performance departments through its students. Featuring various students and repertoire, and curated by the faculty, performances in this recital highlight SFCM programs and the wide range of study. 

Program

Wolfgang Amadeus Mozart: Horn Concerto No. 3, K. 447
     I. Allegro
Mykah Williams, horn
Amy Chiu, piano

W. A. Mozart: Horn Concerto No. 3, K. 447
     II. Romance. Larghetto
     III. Allegro
Rory O’Regan, horn
Amy Chiu, piano

Richard Strauss: Horn Concerto No. 1 in E-flat Major, TrV 11
     I. Andante
Xiaoran Xu, horn
Amy Chiu, piano

Aleksandr Glasunov: Reverie, Op. 24
Ian Dutra, horn
Amy Chiu, piano

R. Strauss: Andante in C Major, TrV 155
Owen Sheridan, horn
Miles Graber, piano

Reinhold Glière: Horn Concerto, Op. 91
     II. Andante
Samay Sayala, horn
Miles Graber, piano

R. Strauss: Horn Concerto No. 2, TrV 283
     I. Allegro

Songyuan Liu, horn
Amy Chiu, piano


- Intermission -


Jane Vignery: Sonata for Horn and Piano, Op. 7
     I. Allegro
Bebe Wagner, horn
Miles Graber, piano

J. Vignery: Sonata for Horn and Piano, Op. 7
     II. Lento ma non troppo

Yolanda Zheng, horn
Miles Graber, piano

Franz Strauss: Les Adieux
Davian Barba, horn
Starr Chen, piano

Edith Borroff: Sonata for Horn and Piano
     I. Rhapsody
Isabel Crawford, horn
Starr Chen, piano

R. Glière: 4 Pieces for Horn and Piano, Op. 35
     Nocturne
     Intermezzo

Drew Patterson, horn
Miles Graber, piano

Gunther Schuller: Trois Hommages for Horn(s) and Piano
     III. Chanson
Kevin Rivard and Jessica Valeri, horn
Miles Graber, piano

 

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Sunday, November 16 2025, 5:00 PM to Sunday, November 16 2025, 7:00 PM

About SFCM’s Brass Department

Made up of principal brass chairs of the San Francisco Symphony, as well as principal players of the San Francisco Opera and Ballet orchestras, and a close-knit student body, SFCM’s Brass Department challenges and inspires the next generation of great players.

Studio sizes are kept small to ensure students receive the mentorship and performance opportunities they need, and a yearly side-by-side reading of major brass repertoire with faculty members provides insight into the finer points of orchestral brass performance.


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