Sat
Apr
5
9:00 AM
Courses Taught
Contemporary Improvisation Ensemble
Education
MM, San Francisco Conservatory of Music
BM, San Francisco Conservatory of Music
Ensembles
Scroggins & Rose
Quartet San Francisco
Real Vocal String Quartet
Awards & Distinctions
GRAMMY Nominated for Quartet San Francisco Plays Brubeck
Ambassador for the State department with the Real Vocal String Quartet
What is your hometown?
Verona, Wisconsin
What are you passionate about outside of music?
My family and spending time in nature!
Who were your major teachers?
Camilla Wicks, Bettina Mussumeli
What was the defining moment when you decided to pursue music as a career?
When I was six, I started telling people I wanted to be a violinist after I read that Paganini made people cry with the beauty of his violin playing. However, what really clinched my decision to pursue a career in music was studying and performing the “Death and the Maiden” String Quartet by Schubert in high school. I loved being part of the beautiful sonorities, rich emotions, and epic narrative sweep of the quartet.
What was a turning point in your career?
While in graduate school, I joined the Real Vocal String Quartet, a string and vocal ensemble that wrote and arranged its own material, drawing from a wide range of influences. As a member of this group, I explored improvisation and composition in a collaborative setting, which expanded my artistic identity and shaped my approach as both a violinist and composer.
If you weren't a musician or teacher, what do you think you would be doing now?
I find physics and calculus quite beautiful in how they describe motion in the physical world—I think I would have pursued engineering or something similar if I hadn’t become a musician.
What recordings can we hear you on?
Speranza, Scroggins & Rose, 2025, Adhyâropa Records
Fiddle Caprices and Pizzicato Pieces, Solo Violin Compositions by Alisa Rose, 2015
So It Goes, Alisa Rose, 2014
Four Little Sisters, Real Vocal String Quartet, 2012
QSF Plays Brubeck, Quartet San Francisco, 2009
Grammy-nominated violinist, composer, and improviser Alisa Rose seamlessly blends classical and American folk traditions, bringing expressive lyricism and improvisatory freedom to her performances. She has appeared at Carnegie Hall, Coachella, and international festivals, as well as on The Tonight Show, PBS, and NPR. A U.S. State Department Cultural Ambassador, she has collaborated with indie artist Feist and received a Grammy nomination for Quartet San Francisco Plays Brubeck.
A passionate chamber musician and educator, Alisa co-founded Scroggins & Rose, a duo with mandolinist Tristan Scroggins, whose three acclaimed albums push the boundaries of contemporary roots music, merging virtuosic precision with the spontaneity of chamber music and improvisation. Inspired by the creative exchange between composers and performers and the exploration of new works, her premieres include her Piano Trio at the Trinity Alps Festival, Richard Marriott’s Violin Concerto, new works by jazz trumpeters Erik Jekabson and Ian Carey, film scores with Clubfoot Orchestra, and original duos with pianist-composer Monica Chew. Additional recent collaborations include the RossoRose Duo with pianist Amy Zanrosso and chamber projects with pianist Monica Chew and cellist Michael Graham.
As a composer, she merges folk traditions with classical forms, as heard in her Embracing Roots Violin Concerto, premiered in 2022 with support from the San Francisco Arts Commission, and in her solo album Fiddle Caprices and Pizzicato Pieces, which explores cross-genre virtuosity.
Alisa finds great joy in teaching violin, working with students from young beginners to pre-professionals to develop fluid and healthy technique, effective practice strategies, expressive sound, and confident performances. She maintains a private studio and teaches at the San Francisco Conservatory of Music Pre-College, where she earned her B.M. and M.M. in Chamber Music, studying with Camilla Wicks and Bettina Mussumeli.