Personnel

Daria Novo, conductor

Michelle Maruyama, violin 1
Pauline Kempf, violin 2
Christina Simpson, viola
Megan Chartier, cello

Solanch Sosa, violin 1
Jenna Flohr, violin 2
Sarah Hooton, viola
Daniela Gonzales Siu, cello

Roziht Edwards
Sexism in Christianity
Jenna Flohr, Chloe Liao, and Joi Marchetti
Live Visual and Projection Mapping Team

Chenru Wang
Flow

Adela Zu
Game for Peace
Adela Zu and Linus Li, piano

Jessica Mao
Paradigm Shift

Clark Evans
Un Recuerdo
Solanch Sosa, violin

Lina Harrison
Reverie
Lina Harrison, voice/guitar
Haejin Lee, harp
Julian Esparza, bass

Natasha Frank
Anon

Chloe Donovan
Paradise
Chloe Donovan, voice/guitar
Reece Cogswell, drums

Ashley Troester
Anxiety

Sarita Gutierrez
What Love Is
Emma Markowitz, voice
Michael Potter, piano
Julian Esparza, bass
Jayla Hernandez, drums

Chloe Liao
Soul
Roziht Edwards, voice
Michael Potter, piano
Julian Esparza, bass
Jayla Hernandez, drums

Amelie Anna-Hinman
arr. Daria Novo
Parting Words
Amelie Anna-Hinman, voice/percussion
Michael Potter, piano
Julian Esparza, bass
Jayla Hernandez, drums

Daria Novo
Mother’s Song
Daria Novo and Jessica Mao, piano

About SFCM’s Technology and Applied Composition Department

Get ready for a career on the edge of art and technology. Since its inception only a few years ago, the Technology and Applied Composition (TAC) program has taken off like no one could have imagined. This highly exclusive course of study gives students a direct path into the worlds of film scoring, video game sound design, and other rewarding musical avenues. Featuring instruction from some of the most visible composers in the industry today, the TAC music degree readies you for a cutting-edge compositional life, bridging art and technology in the most dynamic ways imaginable.
See more media from the TAC department.