SFCM Baroque Ensemble
Voice Recital
Program
Departmental Recitals showcase performance departments through its students. Featuring various students and repertoire, and curated by the faculty, performances in this recital highlight SFCM programs and the wide range of study.
Songs of W. A. Mozart (1756-1791) and Maria Theresia von Paradis (1759-1824)
von Paradis songs from Zwölf Lieder auf ihrer Reise in Musik gesetzt (1786)
COLLABORATORS:
Corey Jamason, piano
Eliana Estrada, violin
Maria Theresia von Paradis (1759-1824): An das Klavier
Clara Abrahams, soprano
Sophia an Siegwart
Antonia Caceres, soprano
Erinnerung ans Schicksal
Mumtozbegim Ochlilova, soprano
Eliana Estrada, violin
Das Gärtnerliedchen aus dem Siegwart
Adellyn Geenen, soprano
Da eben seinen Lauf vollbracht
Marielle Leiboff, soprano
Morgenlied eines armen Mannes
Lena Goldstein, soprano
Jean-Paul-Égide Martini (1741–1816): Plaisir d’amour (Paris, 1784)
Madison Barton, soprano
W. A. Mozart (1756-1791): Der Zauberer, K. 472 (Vienna, 1785)
Adellyn Geenen, soprano
Das Lied der Trennung, K. 519 (Vienna, 1787)
Emilia Perrotta, soprano
An Chloe, K. 524 (Vienna, 1787)
Clara Abrahams, soprano
-Intermission-
Josef Mysliveček arr. Mozart: Ridente la calma, K. 210 (Salzburg, 1775)
Madison Barton, soprano
Sehnsucht nach dem Frühlinge, K. 596 (Vienna, 1791)
Mumtozbegim Ochlilova, soprano
Das Kinderspiel, K. 498 (Vienna, 1791)
Lena Goldstein, soprano
Dans un bois solitaire, K. 295 (Mannheim, 1778)
Madison Barton, soprano
Oiseaux, si tous les ans, K. 284 (Mannheim, 1777)
Emilia Perrotta, soprano
Das Veilchen, K. 476 (Vienna, 1785)
Antonia Caceres, soprano
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 520 (Vienna, 1787)
Lena Goldstein, soprano
Abendempfindung an Laura, K 523 (Vienna, 1787)
Marielle Leiboff, soprano
Un moto di gioia, K. 579 (Vienna, 1789, piano version publ. 1799)
Adellyn Geenen, soprano
Historical Performance
Opera and Musical Theatre
Corey Jamason
Marcie Stapp
About SFCM’s Historical Performance Department
Historical Performance at SFCM traverses all eras of music history, allowing for an environment that enables the study of period performance practice and produces contemporary performances that are relevant, vibrant, and provocative. In this program, which offers a professional studies diploma in historical performance and bachelor's and master's music degrees in harpsichord and organ, you’ll develop and refine your skills in historical styles, whether on keyboards, baroque violin, viola, cello, or viola da gamba, and historical plucked strings. Historical Performance opportunities are open to all SFCM students, and our acclaimed Baroque Ensemble performs regularly throughout the year.
About SFCM’s Voice Department
Find your voice—and your community. A tight-knit group, voice students work closely with all-star faculty who have performed at the Metropolitan Opera, San Francisco Opera, Houston Grand Opera, Paris Opera, Milan’s La Scala, and many others. As a student at SFCM, you'll have the opportunity to regularly attend dress rehearsals at the San Francisco Opera and take advantage of performance opportunities around the Bay Area.
View SFCM'S Event Health and Safety Policy
As of April 1, 2023, face masks will be optional and at personal discretion for all SFCM concerts & events. Vaccinations are not required for visitors and guests to campus buildings and performances. Please visit SFCM's full Event Health & Safety policy to read more about our guidelines.