Learn from deeply committed instructors.
A fresh approach to teaching, dedicated instruction, and a keen awareness of the state of the arts and the direction it’s taking make this roster one of the boldest and most forward-thinking among conservatories.
• Denotes member of the San Francisco Symphony, Ballet, or Opera orchestras
Academic Faculty
A fresh approach to teaching, dedicated instruction, and a keen awareness of the state of the arts and the direction it’s taking make this roster one of the boldest and most forward-thinking among conservatories.
• Denotes member of the San Francisco Symphony, Ballet, or Opera orchestras
B
-
Timothy Bach, Collaborative Piano Chair
-
Luis Baez
•
-
Clint Bajakian
-
Alexander Barantschik
•
-
Taurin Barrera, Technology and Applied Composition Acting Executive Director; Studio Director
-
Mason Bates
-
Carey Bell
•
-
Elizabeth Blumenstock, Historical Performance Baroque Violin and Viola; Coaching and Excerpts Historical Performance Baroque Violin and Viola
-
Ragnar Bohlin, Chorus Director
-
Carmen Bradford
-
Curt Branom
-
Steven Braunstein, Bassoon bassoon and contra
•
-
Matt Brewer
•
-
Robert Britton
-
Ryan Brown, Professional Development Chair; Associate Dean for Academic Affairs
-
MaryClare Brzytwa
-
David Burkhart
C
-
Sarah Cahill
-
Milissa Carey, Opera and Musical Theatre Acting
-
Carlos Caro
-
Eric Choate, Chorus Assistant Director
-
Clairdee
-
Jeff Cohen
-
David Coll
-
Jose Maria Condemi, Opera and Musical Theatre Director of Opera and Musical Theatre; Chair
-
David Conte, Composition Chair
-
Catherine Cook, Frederica Von Stade Distinguished Chair in Voice
-
Kelley Coyne
-
Steven Crane
-
Jeff Cressman
•
-
Jennifer Culp, Strings Chair
-
Stefan Cwik
M
-
Dave Maier, Opera and Musical Theatre Stage Combat
-
Joseph Maile
-
Sharon Mann
-
Betsy Marvit
-
Heather Mathews, Opera and Musical Theatre Associate Program Director
-
Rebeca Mauleón
-
Lauren Mayer
-
Lidia Mazza
-
Corey McVicar
-
Susanne Mentzer
-
Cordula Merks
•
-
Michael Mohammed, Opera and Musical Theatre Director of Musical Theatre Workshop
-
James A. Moore III
•
-
Lennie Moore
-
Mike Morasky
-
Dimitri Murrath, String and Piano Chamber Chair
R
-
Jane Randolph
-
Joshua Redman, Roots, Jazz, and American Music Artistic Director
-
Elisabeth Reed, Baroque Ensemble Co-Director; Historical Performance Baroque Cello and Viola da Gamba; Coaching and Excerpts Historical Performance Baroque Cello and Viola da Gamba
-
Jonathan Ring
•
-
Douglas Rioth
•
-
Kevin Rivard
•
-
Bruce Roberts
•
-
Michael Rodriguez
S
-
David Sánchez
•
-
Kelly Savage
-
Richard Savino, Historical Performance Historical Plucked Strings; Coaching and Excerpts Historical Performance Historical Plucked Strings
-
Jeremiah Shaw
-
Matthew Siegel
-
Jerome Simas, Chamber Music; Bass Clarinet
•
-
Edward Simon
-
Rachael Smith
-
Alexander John Stalarow
-
Marcie Stapp, Opera and Musical Theatre Diction
-
Ed Stephan, Percussion Co-Chair
•
-
Kay Stern
•
-
Joseph Stillwell
-
Meng Su
-
Ian Swensen, Isaac Stern Chair of Violin
